Vijay Sethupathi’s Maharaja becomes the ‘Maharaja of Box Office’
The first six months of Kollywood releases in 2024 has been a tremendous moment for the movie buffs for it endowed an amalgamation of commercial and content-driven movies. The trade circles, theater owners and distributors are very much elated about the lovely success of movies, but Vijay Sethupathi’s ‘Maharaja’ has become the utmost reason to celebrate success as the movie has successfully grossed 105CR+ Box Office collection. The film is still running successfully in many theaters despite the arrival of Big-budgeted Pan-Indian releases. Furthermore, the film has found amazing response from overseas and non-Tamil speaking territories as well.
Producer Sudhan Sundaram says, “It’s not just a commercial success to get delighted about, but something phenomenal that I have experienced as a producer. Maharaja has given a new lease of confidence that film enthusiasts are always ready to welcome and appreciate content-driven movies. When we decided to materialize ‘Maharaja’, we were confident that the audiences would enthrall and appreciate But what has surprised us is the type of celebration and the commercial accredition we recieved. It’s great to see that Tamil cinema has produced a lot of succesful movies in the first six months of 2024, and we are glad that Maharaja has clasped a top position. We owe a lot to the press and media fraternity, who never paused a second to rave about the film. I am grateful to industry friends, who selflessly spread positive words about the project, and finally, the loveable audiences, who have now instilled great responsibility to produce more such movies that emphasize strong content and I also take this oppurtinity to wish the very best to all the forth coming releases. I wish them too a great box office comfort. After all the ultimate desire is to see the industry do well “
Maharaja is produced by Sudhan Sundaram of Passion Studios in association with Jagadish Palanisamy of The Route. The film is written and directed by Nithilan Swaminathan.
