Inian J Harris is the cinematographer of “Sir” who wants to do cinematography for fantasy films
I am the cinematographer of the film “Sir” who came to the cinema after enjoying the shooting
Inian J Harris
Inian J Harris started his journey in cinema as an assistant cinematographer with the famous cinematographer Arthur Wilson in the film Nan Gadav after completing his Dft from MGR Film College in 2008. He subsequently worked in several Telugu films including Bala’s Avan Ivan, Junior NTR’s Tham in Telugu, Balakrishna’s Simha and Pawan Kalyan’s Gabbar Singh 2.
It is worth noting that Inian J Harris made his debut as a cinematographer with the movie “Kanni Madam” which was released under the direction of Bose Venkat.
Following that, he grabbed everyone’s attention with his single-shot cinematography for the one-night story “Yuddha Kantam”.
Notably, the film won the best film award at the Osaka Film Festival in Japan.
Nallavanta, who produced films like Jeevan’s Bombattam, Kichu Kichu and Mahathin Ketavannu, has worked as a cinematographer for more than 15 commercials.
He has also shot the cinematography of Bose Venkat’s “Saar” starring Vimal, which is currently running successfully in theatres.
Talking to him…
The shooting of Pudu Padagan starring Captain Vijayakanth took place at Kanchipuram Kamatshi Amman Temple and I enjoyed the shooting. Since then I got the desire to work in cinema and I am a big fan of Captain.
I came to cinema wanting to become a director. I studied cinematography because something screams technical, but now I have become a full-time cinematographer.
It is Balumakendra sir who said this to anyone who should work for that situation whether it disturbs any scene. That is what I follow. He is my favorite cinematographer. The characters and lighting in his film will not disturb the Chinese. I screamed a lot in Kannimadam.
In the film Sir, I would have done Chinese disturbance in that village and Vathiar’s house everywhere. The cinematography of this film has been praised by everyone in the press and media.
You have done both Village and historical film and you should make a good fantasy film. That’s what I want, because even the visual effects can be merged and work, or even work without knowing the effects, every frame is magic.
Beyond that, work as a cinematographer in all genre films.
The applause of the people and the director of Naan Bele Sencha calling me for his next film is the biggest award for me, says cinematographer Inian J Harris simply.
