“Parimala & Co.” Movie Press Meet!!

“Parimala & Co.” is a new thriller-comedy-drama film crafted under the direction of Pandiraj—a filmmaker who consistently delivers movies that families can enjoy together within the Tamil film industry.

Following the success of his film Thalaivan Thalaivi, Pandiraj has directed this movie—his 12th directorial venture—exploring a completely fresh and novel thematic landscape.

With the film poised for theatrical release very soon, a grand press meet was held in the presence of media representatives, featuring the film’s cast and crew alongside various film industry celebrities.

Speaking at the event…

G.K.M. Tamilkumaran stated:

“On behalf of our team, I warmly welcome all the artists who have gathered here for the ‘Parimala & Co.’ press meet. I would like to share a few words regarding this film. I have played a minor role in it.

We entrusted the entire responsibility for this project to Pandiraj Sir with complete confidence. He is, in fact, the primary reason behind this film’s success. His hard work and dedication are truly extraordinary. When I recently witnessed the post-production work, I found myself asking: ‘When did you even shoot this film?'” He worked with such immense dedication—to an extent that left many astonished and prompted them to ask, “How is this even possible?”
It is truly rare to encounter a director who works with such diligence. The entire team involved in this film worked together like a single family. Consequently, the movie has blossomed into a truly beautiful cinematic creation.
We are confident that this film will undoubtedly achieve massive success. Thank you, everyone.

Actor Sendrayan spoke as follows:
My heartfelt thanks go out to all the media friends who have gathered here for this press conference. It gives me immense joy to be seated on this dais alongside such prominent figures—esteemed producers, directors, and key artists such as Jayaram Sir, Urvashi Akka, our lead actress, and Sandy Master. In the film Parimala and Co., Director Pandiraj Sir has entrusted me with a wonderful role. He guided me with great affection and patience, teaching me exactly how to perform and how to bring each scene to life in the most beautiful manner possible. That entire experience was truly delightful for me.
Some films appeal primarily to men, others to women, and some are tailored to specific age groups. However, Pandiraj Sir’s films are invariably the kind that entire families can watch together. Parimala and Co. is a beautiful family entertainer—a film that grandparents, parents, siblings, and the whole family can sit down and enjoy in unison. I am confident that this will be an excellent film—one that everyone should make a point to watch in theaters, together with their families. My sincere gratitude goes out to both the Director and the Producer for granting me this wonderful opportunity.

Director and Actor Aditya spoke as follows:
Greetings, everyone. This is truly a fantastic team. Pandiraj Anna (Brother) would often visit my office; we would usually meet while I was in the midst of my work. Those meetings invariably turned into wonderful evenings. He is an incredibly humble and affectionate human being. I have played a significant role in this film; however, in the process, I ended up requiring quite a few “takes” from Anna. We even went as high as twenty or twenty-two takes for certain shots. Yet, he remained incredibly… He remained patient and provided beautiful guidance, demonstrating exactly how to instruct an actor.
Acting in front of a camera is no easy feat. We have great artists here, such as Jayaram Sir and Urvashi Madam; acting alongside them was a tremendous experience. I certainly felt the pressure that comes with such a situation—which may explain why we had to do so many takes! However, that experience taught me a great deal. No matter what film Pandiraj Anna makes, it invariably resonates with the audience. He consistently delivers films that entire families can sit together and enjoy. True to form, Parimala and Co. has also turned out to be a wonderful family entertainer. I extend my heartfelt wishes for this film to achieve massive success. Thank you.

Actor Sanjeevi spoke as follows:
A very good evening to everyone. My heartfelt gratitude goes out to our director Pandiraj Sir, Tamil Kumaran Sir, and all the fellow actors who worked on this film.
This opportunity holds immense significance for me. I had been following Pandiraj Sir’s work for many years, but the right moment to collaborate never seemed to arrive. Eventually, Sir released the film Moodar Koodam; it was shortly after that project that I received the opportunity to act in this film. Thank you so much for that, Sir.
I was entrusted with a wonderful role in this movie, and I am grateful for that as well. My sincere thanks go to Pandiraj Sir and Tamil Kumaran Sir for giving me a place on this grand stage and for granting me this invaluable opportunity.

Actor Harshad spoke as follows:
The weather is quite hot right now; I urge everyone to take good care of yourselves and stay healthy.
Acting in Parimala and Co.—a film by Pandiraj Sir—was a brand-new experience for me. In particular, working directly with Pandiraj Sir was an absolute joy. His assistant directors, the technical crew, the cinematographer—everyone involved was incredibly supportive. I have known Pandiraj Sir for many years; having watched his films over time, I had long harbored a dream of one day acting in one of his movies. That…
My long-cherished wish was fulfilled through this film. It was he who personally selected me after watching the movie and offered me this opportunity. The experience of working with him was truly unique. He works with great speed and immense expertise—that is his defining quality. My heartfelt thanks go to Pandiraj Sir for this opportunity.

Actress Gayathrie spoke as follows:
“This moment feels like a dream come true for me. From the moment I met Pandiraj Sir, to watching the teaser, and finally meeting all of you here today at this press conference—everything feels just like a dream.
My heartfelt thanks to everyone present here today. This is a very emotional moment for me; I am almost at a loss for words. After all, we have grown up watching and admiring Pandiraj Sir’s films as fans. It brings me immense joy that such a distinguished director reached out to me and offered me this opportunity. The entire cast and crew—including the assistant directors—were incredibly supportive throughout the making of this film. My heartfelt thanks go out to them as well.
‘Parimala and Co.’ is scheduled for release this May. I trust that the responsibility of taking this film to the audience in the best possible way now rests with all of you. Once again, my sincere thanks to everyone for granting me this opportunity.”

Actress Ananthika spoke as follows:
“‘Parimala and Co.’ is a film that I love dearly and holds a special place in my heart. It will forever occupy a unique spot in my heart. It gave me immense joy to work alongside the many talented characters featured in this film.

First and foremost, my heartfelt thanks go to Pandiraj Sir. Working with him felt a little intimidating at the very beginning. When he first reached out to me, I never even imagined that I would actually end up acting in this film. Yet, today, standing on this very stage and speaking about our film fills me with immense happiness. Working alongside Jayaram Sir, Urvashi Ma’am, Sanjana, Sandy Master, and everyone else involved in this project was a truly wonderful experience.
This story features a multitude of characters, and each and every character possesses its own unique identity and significance.” I am extremely happy to be a part of such a unique story. I urge everyone to watch “Parimala and Co.” in theaters and support it. I believe this film will be a beautiful cinematic experience that the entire family can enjoy and share a laugh over. Thank you.

Actress Pooraniima Ravi spoke as follows:
Greetings, everyone. I joined this project midway through production. First, I would like to thank Ramki Sir, who was the first to reach out to me. However, the primary reason I secured this opportunity was our Associate Director, Divya. It was she who patiently explained the nuances of this character to me, cleared up all my doubts, and instilled the confidence in me by saying, “You absolutely must take on this role.” Thank you so much for that, Divya. I was incredibly excited when I learned that this film features such stalwarts of the industry as Jayaram Sir, Urvashi Ma’am, and Mysskin Sir. Although I do not have any direct scenes alongside them, I feel immensely proud to be a part of a project that features such distinguished artists.

Urvashi Ma’am is a huge role model for me. I frequently watch her recent interviews. It brings me immense joy to share the screen—even if in the same film—with an actress of her caliber. Jayaram Sir has been one of my favorite actors since my childhood; I have admired and enjoyed his performances, particularly since the era of the film Panchatanthiram. Being in the same film as him today feels like a truly special moment for me.
The music composer for this film is Pracsion—a talented artist discovered by Santhosh of Think Music. Since the talents discovered by Santhosh are invariably unique, I am confident that Pracsion, too, possesses exceptional talent. He has composed some truly beautiful songs for this film.
I also had the opportunity to work with Sandy Master on this project. Sandy Master holds a very special place in the hearts of not just me, but all of us. I have been watching him on television shows since I was a child. He interacts with everyone with such warmth and familiarity that he feels just like a close friend or a neighbor living right next door. “I learned a great deal while working on this film. True to Pandiraj Sir’s signature style, this movie will be a wholesome entertainer that families will truly enjoy. My sincere thanks go out to everyone involved.”

Actor Sandy Master spoke as follows:
“Greetings, everyone. Acting alongside two absolute legends—Jayaram Sir and Urvashi Madam—in the film Parimala and Co. was a truly monumental experience. Furthermore, the presence of a unique artist like Mysskin Sir in this film makes it even more special. I affectionately refer to him simply as ‘Thalaivar’ (The Leader).
I had combination scenes with almost everyone in the cast, and it was an absolute blast. We spent our time teasing one another, sharing laughs, and—in the process—this film was crafted like a true family endeavor.
Speaking of Pandiraj Sir, his working pace is on a whole different level. If a shot is scheduled for 7:00 AM, the setup for the very next shot is already ready by 6:30 AM. There were times when we hadn’t even finished our makeup yet, but he had already wrapped up one shot and moved on to the next. Such is his level of dedication and sheer speed.
The creative freedom that Pandiraj Sir granted us on set was truly exceptional. As a result, we worked so intensely that we often lost track of time—sometimes even forgetting to stop for meals. However…”
It wasn’t difficult at all; in fact, it was a truly enjoyable experience. The moments spent with Mysskin Sir were particularly unforgettable. We would visit his office late at night to discuss music, books, and cinema. His stories—and the very topics he chose to discuss—were, in themselves, a profound experience. This film has it all: mystery, comedy, fun, and emotion. It belongs to a fresh genre—one that Pandiraj Sir has never attempted before. Thirukumaran Sir is an incredibly kind-hearted person, and I extend my sincere gratitude to him. “Parimala & Co.” is a commercial entertainer that everyone should watch and enjoy. Please come with your families and make it a celebration! Thank you.

Actress Sanjana Krishnamoorthy spoke as follows:
Greetings, everyone. First and foremost, I must express my gratitude to Pandiraj Sir. You have all witnessed firsthand just how happily I worked on this film; you saw and appreciated that joy every single day. Thank you so much, Sir, for gifting me these beautiful memories.
Tamil Sir, my heartfelt thanks go out to you as well. Every single conversation we shared on the sets was a truly special experience for me. I deeply admired your character—not merely as a producer, but as someone who actively sought everyone’s input and treated everyone with equal respect.
Speaking of the cast and crew: simply hearing the names of the actors present on this stage would make any performer yearn to be a part of this project. I felt that very same desire. From the moment I first met Pandiraj Sir, I wished with all my heart that—somehow—I would land a role in this film. Everything unfolded so rapidly; the shoot itself seemed to be over in the blink of an eye. I already find myself missing those filming days dearly. Every morning, as I left home, it felt as though I wasn’t just heading to a film set, but rather going home to “Parimala’s house.” The entire set felt just like a family. Whenever both Jayaram Sir and Urvashi Ma’am are present on the film set, the atmosphere is invariably filled with joy. Witty, humorous responses flow instantly to every situation. There were many instances—even while a scene was being filmed—when I found myself breaking character because I simply couldn’t suppress my laughter. It was a truly novel experience for me. Your pairing has fans all over the world, and I count myself as one of your humble admirers. I have watched and enjoyed your classic scenes so many times that, even if played without sound, I could recite the dialogues verbatim. The mere presence of Mysskin Sir on the set brings with it a unique sense of energy and excitement. Working alongside him—and indeed, everyone else present here—has been an unforgettable experience.
We sincerely hope that you, the audience, will enjoy and embrace this film with the same level of joy and enthusiasm with which we created it. Your support means the world to us. Thank you very much.

Actress Urvashi spoke as follows:
Greetings, everyone. Much has already been said about this film by others. However, speaking personally, this project holds a very special place in my heart. In the life of an actor, there are only rare moments when one encounters a script that inspires the conviction: “This story—the narrative itself—is the true hero.” That very conviction struck me the instant I first heard this story.
After listening to the entire screenplay, I felt an urge to delve into it even more deeply and in greater detail. Consequently, my enthusiasm and confidence in this film grew exponentially. I was particularly delighted when I learned that Jayaram would be playing the lead role in it. This is because we haven’t worked together on a film in over twenty years. We have acted together in nearly twenty-five films throughout our careers. Many scripts have come our way over the years; some appealed to me, while others didn’t resonate with Jayaram. However, when this particular story came along, it struck a chord with both of us simultaneously. The reason is that this isn’t merely a serious drama; it is a story woven with authentic human emotions and infused with natural, organic humor.
I have always held the writer within Pandiraj in the highest regard. I have watched most of the films he has directed, starting from Pasanga. He takes a considerable amount of time to craft a story; however, his pace during the actual filming is on a whole different level. It is often said that Malayalam cinema is known for producing high-quality films within a short timeframe, but among all the projects I have worked on recently, this is the one that was completed the fastest. I was truly amazed—I barely realized when we started and when we finished. There were even instances where, for a few days, I was unable to provide my full cooperation due to unavoidable circumstances. Since I had a continuous lineup of films in Malayalam, I frequently had to travel back and forth between there and here. Nevertheless, we managed to navigate through all these challenges and successfully complete this film. Every single day of the shoot was a truly joyful experience.

When a project features a compelling story and well-etched characters, we—as actors—naturally feel inspired to engage in improvisation. That is precisely what happened during the making of this film. Although we have acted in numerous family dramas in the past, not a single scene in this movie felt reminiscent of our previous work; every scene felt fresh and original. Working alongside Ananthika and Sanjana was a very natural and effortless experience. After just two or three days, we all completely forgot that we were merely actors and evolved into a close-knit family.
Everyone knows that Mysskin Sir is an exceptional director. However, in this film, the actor within him—specifically his comedic timing—took me by surprise. Several scenes featuring both him and me have turned out beautifully. The casting for this film is truly outstanding; Pandiraj has achieved a 100% success rate in selecting the perfect actors for every single character. The trailer features a young girl in a minor role; one can sense her potential the moment she appears on screen. Such is the magic of cinema—one can never predict who will make their debut, when they will do so, or how great the heights they will eventually scale.
I became a huge admirer of Sandy Master the moment I saw him in the film Loka. My daughter, too, is a massive fan of his. The scenes I share with him in this movie have turned out exceptionally well. In this film, Yogi Babu has also stepped beyond his usual comedic persona to portray a unique character—one infused with deep emotional depth.
Speaking of Tamil Kumaran, as a producer, he never once exerted any pressure on us; instead, he quietly and efficiently oversaw every aspect of the production. The majority of the filming took place within a modest, middle-class home. We kept the house completely sealed off to facilitate the filming of both day and night sequences. Due to the resulting lack of ventilation and oxygen, almost everyone on the crew contracted a viral fever or developed a cough. Yet, driven by our collective passion for the story, we put aside those physical discomforts and continued working tirelessly.
The associate directors—particularly Divya—have poured an immense amount of hard work into this film. She single-handedly managed everything from prompting and costumes to continuity. Jegan, too, went above and beyond the scope of his assigned duties, working with total dedication out of sheer affection for Pandiraj.
Jayaram and I have reunited on screen after many years. We ourselves harbor great expectations for this particular combination. I am confident that you will thoroughly enjoy this film. As actors, we approach every project with the hope and intention that it will turn out well; however, the true reason this film stands out as exceptional lies in the sheer hard work and dedication of its writer. We have endeavored to bring this story to the screen as honestly as humanly possible. In today’s landscape, the role of media friends—such as yourselves—is absolutely crucial in taking a film to the masses. Therefore, we earnestly seek your complete support. Thank you very much.

Actor Jayaram spoke as follows:
Greetings to one and all. My warm regards go out to my friends in the press, my personal friends, and to all my brothers and sisters here today. My heartfelt gratitude goes to everyone who worked on this film—from the director and actors to the entire technical crew.
Much has already been said about this film by everyone present. As it is getting late, I shall keep my remarks brief. It was a monumental moment when a major production house like Lyca joined hands with this relatively smaller film during its very inception. Subsequently, the entry of a producer like Mr. Tamil Kumaran, and the fact that Mr. Pandiraj took the helm as director—all these factors proved to be immense strengths for this project.
Furthermore, a host of exceptional artists joined the cast, including Ms. Urvashi, Sanjana, Ananthika, Yogi Babu, Mr. Mysskin, Singampuli, and Sandy Master. On the technical front, it was truly this film’s good fortune to secure talents such as composer Praxion, editor Pradeep, cinematographer George, and associate director Divya. I am immensely delighted by all these developments. However, if I were to single out just one thing, I would say that the true hero of this film is our screenplay. When Mr. Pandiraj first began narrating this story to me, even before he had reached the halfway mark, I instinctively felt that this was going to be a truly special film.
Everything associated with this project has unfolded in the most positive manner possible. Now, the responsibility of effectively taking this film to the people rests in your hands. We are in dire need of your support. Thank you very much.

Director Mysskin spoke as follows:
Greetings to everyone. Whenever the phrase “finest actors” is mentioned, the very first names that spring to my mind are those of Mr. Jayaram and Ms. Urvashi. Acting alongside them is a cherished dream of mine. Both are actors of immense intelligence and profound emotional depth. Simply sharing a scene with them brings me the greatest joy. Some time ago, I approached Jayaram Sir to play a specific role in a film. I narrated the story to him with great intensity. He listened patiently to the entire narration and, with a smile, simply said, “I’ll do it, brother.” That single word came as a huge surprise to me.
Do you know why he is considered such a great actor? He is someone who knows how to clearly say “no” in life when the situation demands it. In the film industry, many people lack that ability; they tend to say “yes” to everything. However, having that clarity—knowing exactly what to do and what not to do—is a remarkable quality. Jayaram Sir possesses that clarity.
And what can one say about Urvashi Ma’am? I have observed her work very closely. If you merely describe a scene to her, she elevates it to an entirely new level through the sheer power of her experience and emotional depth. There is a miraculous naturalness to her acting—a quality that simply cannot be taught. “Michael Madana… That staircase scene featuring Kamal Sir and Urvashi Ma in the film Kamarajan—that is the scene that truly made me understand what acting in Indian cinema is all about. I have watched that scene more than a hundred times. I believe that true acting lies not merely in how an actor performs, but rather in how their co-star responds to that performance. Urvashi Ma delivered a performance of such profound naturalness. If asked why I entered the film industry, I would point to scenes like that as the very reason. Working alongside an actress of such immense stature was the greatest gift I could have received. I will remain eternally grateful for this opportunity.
I have known Pandiarajan for twelve years. Initially, we would cross paths at various events; gradually, we began to build a rapport. Whenever I visited his office, we would sit with friends and converse for hours on end. That space felt just like a family home. He is an incredibly warm and affectionate human being. No matter how many directors visit him, he treats everyone with the same unwavering kindness. It is that very friendship that served as the foundation for this film.
He is one of the most distinctive directors in Tamil cinema. Every director possesses a unique signature style. Mani Ratnam Sir’s films are characterized by their exquisite visual aesthetics. Cheran’s films resonate with themes of humanism and moral righteousness. Thiagarajan Kumararaja’s films are marked by a peculiar, delightful eccentricity. Similarly, Pandiarajan’s greatest strength lies in his command over language.
If a particular word captures his fancy, he seizes it and breathes life into it. Regional dialects, the colloquialisms people use in everyday conversation, and the subtle nuances of the language—all of these are deeply ingrained within him. He observes not only people but also the language they speak. That is precisely why the dialogues in his films feel so remarkably natural.
If a director manages to sustain a career in the film industry for twenty years, it stands as a testament to the fact that they possess extraordinary talent in some specific domain.
Such is the case with Pandiarajan. I do not know if he holds advanced academic degrees, but he experiences language as a living, breathing entity. That is why the dialogues in his films resonate directly and deeply within the hearts of the audience. He possesses a… There is great clarity: “A producer gives me money; I must give him a successful film.” “At the same time, it must entertain the audience for two hours”—he is crystal clear on both these fronts. That is precisely why his films are commercially successful and resonate deeply with the public.
I believe he is one of the most clear-thinking directors in Tamil cinema today. When he frames a shot, there is absolutely no unnecessary confusion. He states directly what is required and what is not; consequently, the work becomes significantly easier for the actors.
He works with immense discipline. He arrives at the shooting spot as early as 6:00 AM. He pre-plans exactly how much work needs to be accomplished within an eight-hour window and ensures it is completed. He is an expert at wrapping up a film within the allocated budget and within the scheduled timeframe.
When he approached me to act in this film, he first came over to narrate the story. His style of storytelling is truly unique; as he narrates, he effortlessly draws you right into the world of the story. As he narrated this dark comedy, I found myself listening with a constant smile. I immediately felt a surge of confidence, thinking, “This is going to be excellent!”

The two young actresses who starred in this film are incredibly talented. They grasp the emotional nuances of a scene instantly and deliver their performances with precision. Sandy Master is no different—he possesses boundless energy.
All in all, this filming experience was a joyous one. It was an experience filled with laughter, friendship, and affection. I am confident that this film will thoroughly entertain the audience. Thank you, everyone.

Director Pandiraj spoke as follows:
Greetings to everyone. The story for “Parimala and Co.” was written three years ago. Initially, we had titled it “Parimala Family.” However, as other titles like “Tourist Family” began to emerge in the industry, we debated whether we should change ours. We even considered the title “Sweet Home.” Ultimately, I asked my wife and children at home what they thought of the title “Parimala and Co.” Both of them voted in favor of it. We then conducted a poll among everyone—including my assistant directors, the producer, and my friends—and the consensus was clear. Most people chose this very option.
When I first narrated this story to Mr. Tamil Kumaran, the very manner in which he laughed gave me confidence. He is typically a very quiet person; however, upon hearing the story, he laughed wholeheartedly. Right then and there, I gained the conviction that “this film will definitely resonate with the audience.”
The moment Mr. Jayaram and Ms. Urvashi came on board, I felt that the film was already halfway to success. As they listened to the story, they laughed continuously. Mr. Jayaram immediately declared, “This is definitely going to be a huge hit.” Hearing such an affirmation from two artists of their caliber—possessing such vast experience—bolstered my confidence even further. When I narrated the story to Mr. Mysskin, he remained quiet as usual; yet, he listened with a smile on his face. I knew that if he found it amusing, it would surely connect with the fans as well. That, too, gave me a renewed sense of confidence.
In this story, there are two female characters…
They are incredibly important. If there are two children in a home, there is always a constant mix of fighting, laughter, and playful mischief—isn’t there? We created those two characters specifically to capture that very spirit. For these roles, we selected Sanjana and Ananthika. The moment I saw Ananthika’s Reels, I was instantly captivated by her energy. When I narrated the story to Sanjana, she initially listened with the seriousness of an assistant director; however, she soon began to laugh. At that very moment, I felt a strong conviction that this film was going to work.
I owe a deep debt of gratitude to both Jayaram Sir and Urvashi Ma’am. Urvashi Ma’am, in particular, demonstrated extraordinary professionalism: even while enduring a major personal tragedy, she insisted, “Do not halt the shoot; I will come and complete my work,” and returned to the set the very next day to perform. That act meant the world to us. Even amidst such emotional turmoil, she executed the comedic scenes with absolute brilliance. To this day, whenever we watch those scenes, we still find ourselves laughing.
For a director, there often comes a point—after repeated viewings during editing, dubbing, and mixing—where the film begins to feel tedious, and even the comedy ceases to be funny. Yet, the dynamic between Jayaram Sir and Urvashi Ma’am remained fresh and engaging right through to the very end. Sandy Master was the one person on this project who truly matched my level of energy. In fact, he would often be even more energetic than I was; he would arrive on set first thing in the morning, brimming with full energy. The same applied to those two young women: no matter what time they were called upon, they would simply respond, “Okay, Sir,” and be ready to go. Every single person involved in this film poured their heart and soul into their work.
People would often ask about Ananthika and Sanjana, “Are they really sisters?”—that is how naturally and convincingly they performed their roles. Much like real-life sisters, the set was constantly abuzz with their playful squabbles, lively antics, and mutual affection.
It gave me immense joy to bring Mysskin Sir and his younger brother together to act in the same film for the very first time. The bond of brotherhood shared between them was portrayed in a truly beautiful manner. My heartfelt thanks go to everyone involved, including Sendrayan and Poornima. In particular, we reached out to Poornima just a day before the shoot; she immediately agreed, saying, “I’ll be there,” and came to perform. That was a tremendous help to us.
No amount of gratitude would be sufficient for Mysskin Sir. Over the past few days, he has been accompanying me everywhere for the film’s promotions. Wherever I go, he follows right behind me. He simply says, “I’m doing this for the sake of the film.” That gesture represents an immense act of affection toward me. Jayaram Sir, too, is constantly talking about the movie, driven by a passionate desire to make it a massive success. My entire team worked with that same level of enthusiasm. Cinematographer George Williams is a cameraman whose pace and rhythm matched mine perfectly; I believe this film will feature some of the highest-quality visuals among all my movies. Music Director Paxson makes his debut with this film; he was introduced to me by Santhosh Mani of Think Music. He possesses an incredible amount of energy, and I am confident that he will emerge as a unique composer—much like another Anirudh.
Finally, it gives me immense joy that Lyca Productions has partnered with us on this film. Subaskaran Sir hosted a magnificent banquet for us in London; he harbors a deep desire to present this film to the audience as an equally grand feast. My heartfelt thanks go to Subaskaran Sir and Tamil Kumaran Sir. I request your continued support for this film. Thank you.

The story of this film revolves around a rather unconventional family. The narrative centers on the unique personalities of the family members and the extraordinary incidents they encounter. Spanning a journey that begins in Chennai and extends through Coimbatore all the way to Palakkad, the film is crafted to captivate audiences through a blend of thrilling sequences and humorous moments. Starring Jayaram and Urvashi in lead roles, the film also features young actor Santosh Shobhan in a pivotal role, paired opposite Sanjana Krishnamoorthy. Sandy and Ananthika Sanilkumar appear as another romantic couple in the film.
Furthermore, Yogi Babu—who has captivated audiences with his comedic prowess—returns in a significant, full-length role in this film, following the success of Thalaivan Thalaivi. Director-actor Mysskin appears in a key role, portraying a police officer in a completely distinct avatar.
Additionally, several prominent stars, including Singampuli and Bugs, have joined the cast to play unique and interesting characters.
Produced by Subaskaran on behalf of Lyca Productions, Parimala & Co is co-produced by Tamilkumaran Productions Pvt Ltd and Pasanga Productions. George C. Williams handles the cinematography, while Foxn makes his debut as the music composer.
Crafted as a family entertainer blending elements of thriller and comedy, Parimala & Co is expected to offer a fresh and novel cinematic experience to the audience.

Technical Crew Details

Production: Lyca Productions, Tamilkumaran Productions Pvt Ltd, Pasanga Productions
Story, Screenplay, Direction: Pandiraj
Cinematography: George C. Williams ISC
Music: Foxn
Editor: Pradeep E. Raghav
Art Director: T.
[23/05, 16:21] Flowing Fizz: Ramalingam
Stunts: Kalai Kingson
Choreography: Sandy, Baba Bhaskar
Music Supervisor: Santhosh Kumar
Costume Designer: Poornima Ramasamy
Costumes: K. Nataraj
Sound Recording: M.R. Rajakrishnan
Sound Effects: Shreyas Path, Arun Prasad
VFX Production: B.R. Venkatesh
DI: Knack Studios
Colorist: Prasad Somasekar
Publicity Design: ADFX Studio
Public Relations: Sathish (AIM)
Production Supervision: Ramadoss & Vijay C
Subtitles:
Reks

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