Grand Audio Launch for ‘Baththa’!
The audio launch of the film Baththa—starring ‘Makkal Selvan’ Vijay Sethupathi and directed by Balaji Tharaneetharan—was held in a grand manner at Sathyabama University, attended by thousands of fans.
The event was a lively affair, attended by the film crew, celebrities from the film industry, journalists, and fans.
Presented by Star Studio 18 and Director Atlee, the film is jointly produced by A for Apple Studios and Cine1 Studios Production. With the film set for a worldwide theatrical release on October 1st, anticipation among fans was already high; the audio launch further amplified this excitement.
A key highlight generating anticipation for Baththa is the reunion of Vijay Sethupathi and Balaji Tharaneetharan for the third time. Having previously worked together on Naduvula Konjam Pakkatha Kaanom and Seethakaathi, their collaboration has sparked keen interest among fans regarding the film’s story and making. Speaking at the event, lyricist Karthik Netha said:
“The film ‘Baththa’ is very close to my heart. It serves as an eye-opener for anyone who observes life, learns from it, and seeks clarity in every passing moment. The world is inherently complex; it becomes a pleasant place only through those who can navigate these complexities with wisdom and love. ‘Paththa’ beautifully conveys this message. I say this with certainty because I truly understand the essence of this film.
My bond with Balaji anna goes back a long way. While many know me today as a poet and lyricist, Balaji anna knew the Karthik who existed before all this. There was a time when I was in a very bad phase of life. Back then, he took me in—providing a place to stay, food, and rest—and helped me get back to writing. He did the same during the making of Naduvula Konjam Pakkatha Kaanom, keeping me close and working alongside him. Even knowing the state I was in, he never abandoned me; he stood by me and took care of me.
Balaji Tharaneetharan is a man who loves art unconditionally. He seeks no material comforts from art; the peace of mind and profound happiness it brings are enough for him. I would do anything for him. Not just for this film—I would happily write a hundred more songs like ‘Magale’ for him. Standing here on this stage, I realize more clearly than ever that in this life, nothing matters more than love.” Acknowledgments
Lyricist Tamil spoke as follows:
“This is my first audio launch. I am very happy to share this stage with ‘Sir’ for the first time. I thank the Think Music team for giving me this opportunity, as well as everyone involved, including Santhosh anna and Vignesh anna. Before writing lyrics for the movie Baththa, I had mostly written songs for the independent music scene. However, for this film, I had to learn to write in a slightly different, more poetic style. It was a small learning journey for me. The director was incredibly helpful throughout the process; whenever I had a doubt—no matter the time—he would answer my call, provide the right inputs and guidance, and offer his full support. I thank him for that. I also thank Atlee Sir.”
Lyricist Gaana Johnny spoke as follows:
“Since this is a first for me, I am extremely excited. I have written a unique song for this movie. While some of the songs I’ve written in the past have reached the public and even trended, I am deeply grateful to the director for seeking me out and giving me this opportunity. I’m at a loss for words; I am truly happy about this chance.
Sai Abhyankar called me for the first time and suggested we work on a song. He sent the tune first. I didn’t know which movie it was for or who was starring in it; it was only after listening to the tune that I realized it was a film starring Vijay Sethupathi. As a fan of Vijay Sethupathi, I felt a surge of excitement the moment I heard the melody. Sai’s approach was unique, too; he suggested taking a single word and building a different kind of song around it. That is how I went on to write the lyrics.
Once the song was ready, we all practiced together. Everyone performed brilliantly during the shoot as well. Personally, I was quite nervous, given that it was my first time on a film set.” “It took several takes just for a single scene. I hope ‘Sir’ will forgive me for that. However, the experience was entirely new and truly delightful for me. I won’t say anything more; from now on, my song lyrics will do the talking.”
Director Muthuraj spoke as follows:
“I am very happy to be part of the film ‘Patha’. Nowadays, one could work on many big-budget films, but to make a good film, both the actor and the producer must agree on a strong story. I thank Vijay Sethupathi sir, as well as producers Atlee and Priya, for agreeing to work on such a compelling story. I have known Balaji for a long time; he has always harbored a desire to create a good film. Many people possess great stories but lack the opportunity to bring them to life. I thank Balaji for his efforts in making this film a reality and everyone else involved in the process.
“For ‘Baththa’, we created a distinct world representing 1980s Chennai. I have watched many international films, and observing their production design inspired me to create a similar world here. Balaji also emphasized the need to make it unique and immersive—a complete world of its own. We designed numerous props for this purpose. We spent three months crafting various elements, including the boxing equipment seen in the trailer. Many items that were commonplace back then are no longer available today, so we had to put in dedicated effort for even the smallest details. Yet, it brings me great joy to realize—when watching the film—just how much work went into those seemingly minor props.
“I have long admired Selvakumar’s work in his previous films, and he has done an excellent job here as well. Everyone involved worked not merely by following their usual style, but by truly understanding the specific needs of this story. As for the art direction—it goes without saying—he has done a fantastic job. I am also a great admirer of Lijomol Jose’s acting; she has delivered a brilliant performance in this film. Everyone has worked exceptionally well. There were moments that even moved me to tears; the film was truly a profound experience for me.” Editor Kalaivanan spoke as follows…
“I had taken a break after working on a few commercial films. A major shift occurred for me when the film ‘Baththa’ came along. This film couldn’t be approached like the previous ones. I had to pause at every scene, keeping in mind exactly where to cut and where to switch shots. Balaji Sir was incredibly helpful to me in that regard. Initially, he might have had some hesitation about having a ‘commercial editor’ on board, but I worked solely to ensure his satisfaction. I believe he is satisfied now—in fact, he is very satisfied!”
“This is my third film with Sai Abhyankar, and I will be working on three more with him. If Sai Abhyankar’s music served as a ‘visiting card’ for this film, Selvaraj was the one who visualized it beautifully; his work was outstanding too. My thanks to everyone.”
“The mere mention of ‘Atlee Anna’ stirs up deep emotions in me. During my time as an assistant editor, I worked with Ruben Sir for six years. For four of those years, I worked alongside Atlee Anna on the Tamil films he directed—Raja Rani, Theri, Mersal, and Bigil. I remained committed to working with him, never giving up that role as an assistant editor for anyone else. If Ruben Sir was like a school to me, Atlee Anna was like a class teacher. Today, wherever I go and present my portfolio—whenever I’m asked which films I’ve worked on—Atlee Anna’s films serve as my visiting card. I’ve shared so many wonderful moments with him in my life. A simple ‘thank you’ doesn’t suffice. Love you, Anna!”
Cinematographer Selvakumar spoke as follows…
“When Atlee Sir told me about this film, the first thing I did was call Balaji Sir and say, ‘I really, really love your film; it is one of the best movies I’ve ever seen.’” We held meetings over three consecutive days to discuss the project in person, and subsequently, I got the opportunity to work on this film. Thirteen years ago, I worked as an assistant cinematographer on the movie Raja Rani; in fact, I had served as an assistant cinematographer on other films prior to that as well. Atlee sir has a keen eye for noticing who performs well on set. I was both surprised and delighted when he reached out to me for this film, having saved my contact number from thirteen years ago. Whenever I worked on good films, he would send a message of appreciation no matter where he was, which always brought me great joy.
“Balaji sir had mentioned beforehand that this film would involve many takes and that we needed to work accordingly. While working on the project, we collaborated with everyone—including Muthuraj sir—to develop the look tests and the overall ‘look and feel.’ That ‘Patha’ world, in its entirety…”
We only went to the shooting floor after the project had fully taken shape. Even though we went through many takes, there was a great energy in the work. As for Vijay Sethupathi sir, he is often called a ‘monster of acting.’ Even if a scene went beyond 25 takes, he would perform with perfect continuity from the first line to the last, even when the camera was focused on the other actor (in a reverse shot). If I asked, “Sir, are you tired?” he would reply, “No Selva, it’s going well. I’m enjoying it.” As someone working with him for the first time, I found that truly amazing.
“Lijomol Jose has delivered a performance on a whole new level; you can see the acting in her eyes. Sai has also performed exceptionally well. Muthuraj sir’s team has done a fantastic job, too. Even on days when he couldn’t be present, his team worked so responsibly that his absence wasn’t felt. My assistant cinematographers, the crane and lighting crews—the entire team—worked incredibly hard. The world of this film is quite unique. I don’t want to reveal anything about the story right now, but I am confident that it will turn out to be a terrific film.”
Producer Ajit Andhare spoke next…
“We have produced over a hundred films, yet standing on this stage today, I feel like a student. A good student is always learning. We marvel at and admire Tamil cinema and the creators here. However, learning from you is a different matter entirely; the magic you create cannot simply be replicated or learned. That is precisely why we brought Atlee to Mumbai—to further strengthen our superstars. Atlee is the primary reason for this collaboration.
“The story of how this journey began is also interesting. My colleague Shahana and I were discussing the possibility of collaborating with Atlee when she mentioned that there was a Tamil script available.” “Since we didn’t know Tamil, we asked, ‘How are we supposed to understand this story?’ But Atlee said, ‘Just listen to Balaji Sir’s narration.’ Even before the world of Baththa took shape on screen, it had already come alive for us through Balaji Sir’s narration. Although I didn’t grasp the nuances of the language, the cinematic language and the story itself reached us through the way he narrated it. That narration moved us deeply; we were even brought to tears while listening to the story in the conference room. That is how powerfully Balaji Sir’s narration resonated with us. That is why we joined this journey.
“If Atlee is a bundle of energy, that energy needs a calm anchor—and that role is filled by my friend Murad from Mumbai. This film has fostered a beautiful relationship between producers from Chennai and Mumbai. Our entire studio team holds Vijay Sethupathi Sir in high regard. After watching his works—such as Super Deluxe and the recent Maharaja—we’ve often wondered, ‘How does he pull off films like this?’ He consistently achieves things that go beyond our understanding. I am delighted to be here for an event related to this film at the very place where Atlee began his journey as a student. I wish this film immense success.”
Producer Murad Khetani spoke as follows:
“I am thrilled and excited to be at the audio launch of Patha. Patha is a very special film for me. I have always been a huge fan of Tamil cinema, so this marks a significant milestone for Cine1 Studios. I am overjoyed that Patha is our company’s first Tamil film. My thanks go to Atlee Sir and Priya Madam for making this possible.
“This marks my second collaboration with both Atlee Sir and Priya Madam. It is also my second collaboration with Star Studios.” “My thanks go to Balaji Sir, Vijay Sethupathi Sir, Sai Abhyankar, and all the department heads who worked with me on this film. I also thank Ashwin and the ‘A for Apple’ team, Akansha, Karthik, Shahana from the Cine1 team, Jio, and everyone else involved.
“I also extend my gratitude to my fellow producers—Ajit Andhare, Priya, and Atlee—who collaborated with me to create this film. I hope that the love and support you, the fans, shower upon this movie will be extended to us as well. Thank you all.”
Lyricist Vivek spoke as follows:
“This feels like a family gathering. My brother Atlee has been a part of our family for a long time, so I simply had to be here. Whenever I call my wife, the ringtone that has played for the past 12 years is the song ‘Crazy Minnal.’ That song featured in the movie Naduvula Konjam Pakkatha Kaanom, directed by Balaji Tharaneetharan and starring Sethu. She has kept that song—penned by Karthik Netha—as her ringtone all these years. To the talent of these artists and the quality of their creations…”
Here is a small example.
“One relationship cannot simply be replaced by another. ‘Paththa’ beautifully conveys just how special a relationship can be. When Atlee first spoke to me about this film, a single line he mentioned truly captivated me. Sethu-anna’s journey is also significant for Tamil cinema. Having been part of a string of excellent works—such as Naduvula Konjam Pakkatha Kaanom, Soodhu Kavvum, Pizza, Vikram Vedha, and Viduthalai—he has carved a unique and important niche for himself. I believe ‘Paththa’ will also join that distinguished list.
“I am proud to call Atlee my friend, and at the same time, I have learned a great deal from him. Priya is also very much a part of our family. Atlee is bringing to Tamil cinema the kind of excellence we usually marvel at in international films. He continues to grow with every project and serves as an inspiration to us all. Sai and I have previously worked together on songs like ‘Pavazhamalli’ and ‘Rathimma’; hearing the music for ‘Paththa’ now was a wonderful experience. I am also delighted that Karthik Netha is part of this film.
“The director was given complete creative freedom to work in the genre and style he envisioned, and the producers deserve full credit for that. The film features exceptional artists—including Lijomol—and a talented crew. I am confident that ‘Paththa’ will achieve massive success. My best wishes go out to the entire team.”
Director Bakkiyaraj Kannan spoke as follows…
“‘Paththa’ is a film very close to my heart. I have admired the work of its director, Balaji Tharaneetharan, right from the beginning. I have been particularly drawn to his creations ever since Naduvula Konjam Pakkatha Kaanom. This film, made under his direction, has turned out brilliantly.” Atlee Sir is my mentor; I have always held him in high regard and have great affection for him. I take pride in his journey and the significant position he has carved out for himself in cinema. It is truly delightful that he has come on board for this film. Similarly, Vijay Sethupathi Sir is an actor I admire greatly; I have always enjoyed his performances.
My heartfelt best wishes go out to the entire team of the movie “Baththa.” I hope the film receives a wonderful reception, honoring the hard work put in by everyone involved—including Balaji Tharaneetharan Anna, Vijay Sethupathi Sir, and Atlee Sir. I wish the film immense success.
Director Cibi Chakaravarthi spoke as follows:
“The last time I visited Sathyabama College was for the shoot of the movie ‘Don.’ It brings me joy to stand here once again. I have worked with Atlee Sir on films like ‘Theri’ and ‘Mersal,’ having been associated with him for nearly four years. Thank you, Sir, for constantly encouraging me and standing by me during that time. I am always amazed by the projects you create, which blend your hard work with your grand vision. You have crafted a film that will make Indian cinema proud. The visuals you showed us were truly spectacular; everyone will get to see them on the big screen in just a few days.” “Rajamouli Sir has taken Indian cinema to the global stage. Similarly, I believe Atlee Sir will also elevate Indian cinema to a global level. I am incredibly proud to have been your student. I was going through a very painful phase recently after losing the opportunity to work on a Rajini Sir film. At that time, Atlee Sir called me and said, ‘You are a blockbuster director; don’t worry.’ Those words gave me the confidence to keep moving forward. I will soon make you proud with my next film, Sir. Likewise, Priya Akka, you have treated us like family and shown us great affection ever since I was an assistant director. May your kind heart and the help you consistently extend to others be rewarded with immense success.”
“I am a huge fan of Balaji Tharaneetharan Sir’s film Naduvula Konjam Pakkatha Kaanom. We often find it difficult to get approval from our directors for just a single scene, yet you managed to secure approval by narrating the entire story. That is why I am so eager to watch this film. Vijay Sethupathi Sir is one of the rare actors capable of delivering mass appeal, intense acting, and pure entertainment all at once; I am a huge fan of his films. Sai Abhyankar is constantly rising in his career; he is composing the music for my next directorial venture as well. He is a very hard worker and deserves to reach even greater heights. I believe the film Baththa will fill the void for entertaining movies that has existed in Tamil cinema of late. The art department, cinematography team, Muthuraj Anna, and everyone else involved have worked brilliantly. Best wishes to all.”
[19/09, 17:31] Flowing Fizz: “Please go to the theaters with your families to watch the movie and make it a success. Thank you.”
Actress Lijomol Jose spoke as follows:
“‘Batha’ is a very special film for me in many ways. First, it was a great joy to work with our wonderful director, Balaji Sir. Another great pleasure was the opportunity to act alongside and share the screen with Vijay Sethupathi Sir, one of India’s finest actors. Working on this film—produced by Atlee Sir and featuring a talented music composer like Sai Abhyankar—has been a truly special experience for me.”
“Everything feels like a dream—from the moment I received the call from Atlee Sir’s production house to this very moment standing on this stage. Working with Balaji Sir was truly a wonderful experience. Vijay Sethupathi Sir, I have already told you that you are one of my favorite actors. I was so happy to work with you; you treated me with such kindness and encouragement. Your praise for my performance felt like receiving a major award. Heartfelt thanks for that.”
“My thanks go to my co-stars and the entire film crew. I came to this stage after much thought and preparation, yet now I find myself at a loss for words. At this moment, I feel compelled to say just one thing: I am incredibly proud to be part of this beautiful ‘Batha’ world. Being a part of this film has brought me immense joy. Thank you, everyone.”
Director Balaji Tharaneetharan spoke as follows:
“I began writing the story for ‘Batha’ during the COVID-19 lockdown. It took me a long time to complete the screenplay. Once finished, I narrated the story to Sethu first. He took me to meet Atlee. Upon hearing the story, Atlee didn’t hesitate; he immediately agreed that we should make the film.” “Later, when I narrated the story to producers Murad Khetani and Ajit Andhare, they immediately agreed to make the film. Consequently, the journey of bringing this movie to life was both smooth and enjoyable for me. On set, Sethu and I bonded well, creating an atmosphere where everyone truly enjoyed the work. I extend my gratitude to cinematographer Selvakumar for perfectly capturing the visual look and the world of the story exactly as I had envisioned.”
“Art direction plays a massive role in this film. I had a story in mind, but upon seeing the finished movie, even I was struck by the sheer scale of the world it created. Art director Muthuraj and his team were instrumental in bringing that vision to the screen effectively without losing any of its intrigue. Sai Abhyankar also surprised me greatly. Our musical journey was unique; I thank both Sai and Atlee for pushing me beyond my initial boundaries and enabling us to explore new creative avenues. He has done a fantastic job with not just the songs but the background score as well. I wholeheartedly wish for Sai to reach even greater heights in his career.”
“The cast members—including Lijomol, Harikrishnan, Shanthi Balachandran, Sahasra, Sai Prithvi, Vijay Govind, and Arjun Sharma—worked with great affection and immense dedication on set. Their sincere efforts instilled in me a sense of responsibility to deliver my best work. I believe this film will live up to the expectations of everyone who has placed their faith in ‘Patha’. My heartfelt thanks to everyone.” Music composer Sai Abhyankar said…
“It has been a long time since I saw everyone. After the film Karuppu and a song like ‘Rathima’, meeting you all again through Baththa feels like a tremendous opportunity, and I am deeply grateful for it. Atlee Anna was the starting point for Baththa; I have been on a journey with him for nearly two and a half years. My mentors, Santhosh Anna and Mahesh Anna, were the ones who first introduced me to him for this project. At that time, Anna asked if I could work on a film directed by Balaji Tharaneetharan sir. I am a huge fan of Naduvula Konjam Pakkatha Kaanom and, even more so, of the film Seethakaathi. So, I was immediately excited by the thought of enhancing the story through music. I will be forever grateful to Atlee Anna for giving me this opportunity.”
“Balaji sir is a very honest person. He speaks his mind directly about what he likes and what he doesn’t, which made working with him very easy. He would clearly articulate his expectations. The music sessions for this film were a wonderful experience for me. If he liked something, he would praise it openly; if not, he would suggest trying something else. That honest approach motivated me to do even better work.”
“…Thank you, Balaji Sir. I hope to work with him on many more films. I am a huge fan of Vijay Sethupathi Anna (brother). Working with him has been a long-held dream of mine. Getting this opportunity through this film feels like a blessing from God. Sethu Anna, thank you so much for this chance. I love you very much.”
“Priya Akka (sister) has also consistently guided me and taught me so much to help me grow. She has constantly advised me on how to express myself and how to approach things. My heartfelt thanks to her for that as well. I also thank the producers of this film. I have complete faith in ‘Patha.’ I believe this film will undoubtedly achieve massive success. Everyone involved in this project has worked exceptionally hard; working with them was a truly delightful experience. I believe ‘Patha’ will be a film that is remembered for a long time. I am very proud to have been a part of it. Thank you, everyone.”
Actor Vijay Sethupathi spoke as follows…
“First, I must thank Atlee Sir. I really love his films, and we share a very close bond. Not only did he step forward to produce this film, but his words immediately after hearing the story—predicting that it would be widely discussed at global festivals and in theaters—gave me immense confidence. My thanks to all the producers, including Murad Sir and Ajith Sir. I have known Balaji Tharaneetharan for nearly 15 years. Just look at his films like Naduvula Konjam Pakkatha Kaanom, Oru Pakka Kathai, and Seethakaathi. It is a remarkable thing for a person to maintain love and respect for those around them over so many years. He is a good man who never speaks ill of others, even if they have hurt him. He doesn’t have a dual nature; he is a beautiful human being.” “I have full confidence that only someone like Balaji could have made this film. I am truly happy to have a close friend like him.”
“Lijomol has performed exceptionally well in this film. I witnessed her acting during the shoot, but seeing it on screen, I realized how completely she had immersed herself in that world—the life we shared as husband and wife, the home, and the child. The way she handled the space and objects—just like someone who truly lives there—was incredibly natural. I was amazed by how she pulled it off. Lijo, I really loved your performance.”
“Similarly, Sai Abhyankar has played a pivotal role in this film; he has reached a new level of excellence through this project. His music is a tremendous asset to the film. And then there is Aavan, that little boy—he was brilliant. Sahasra plays a crucial character that anchors the story. It is amazing to see how that child—whom I saw just six or eight months ago—has shouldered such a significant responsibility and performed so well. He has done an outstanding job.”
“You might have many questions about what kind of film this is or what the story entails. You might wonder how it is possible to combine a film that wins awards with one that achieves massive box-office success—all in a single movie. I believe ‘Patha’ holds the answers to all those questions. When a warrior meets an intellectual, there is rivalry. But the magic that unfolds when a warrior or an intellectual meets an innocent person is something entirely different. No force, however powerful, can conquer the wisdom that lies within that innocence. I believe that sentiment forms the very foundation of this film. All the actors—including Vishnu, Bala, Harish, and Arjun—have delivered excellent performances. You will appreciate every single character in the film.” “After watching the film, Sabari called me and said that this movie should be submitted for the Oscars. It brings me immense joy that someone has such faith in our film. I, too, firmly believe that the movie is exceptional. My thanks go to all the technicians—including Selva—as well as the actors, lyricists, and the entire crew. Please forgive me if I have missed mentioning anyone by name. I look forward to seeing you all in theaters; this film will certainly entertain you. Thank you. I love you all.”
Director Atlee spoke as follows…
“First, I would like to offer both an apology and my thanks to everyone for waiting so patiently. ‘Patha’ is not just a film to me; I believe it will be one of those rare movies that makes us reflect long after we have watched it. It conveys to everyone—fathers, women, and children alike—what it means to be a good human being rooted in humanity…”
“…the film will convey a message. At the same time, it will be a completely new kind of mass entertainer. I am delighted to have produced this film and presented it in association with Ajith Sir and Jio Studios. Murad Khetani Sir is like family to me; I thank him and the Jio Studios team.”
“It would be difficult to find a director like Balaji Tharaneetharan even if one searched across world cinema. We often overlook the talent right here at home, focusing instead on the outside world; yet, directors like Balaji are a tremendous asset to our cinema. When I first met Sai Abhyankar, he was very young. He told me that he would create a song every day and sleep with it. It was that passion of his that made me decide to work with him. Just as there have been unique music composers defining different eras—like Ilaiyaraaja, A.R. Rahman, Harris Jayaraj, Yuvan, and Anirudh—I believe a distinct era will emerge for Sai Abhyankar as well. Sai, always hold on to your humility. You are destined for great heights.”
“Lijomol is a wonderful actress. Seeing her in this film made me realize what a talented actress we had missed utilizing until now. You are an exceptional actress, and I hope even greater opportunities come your way. Kalai and Selva have done an outstanding job on this film. I have always had immense faith in Kalai. Selva has been with me since my short-film days. My mother taught me from childhood that if we take good care of the people around us, life will take good care of us in return. Selva is one of the people I chose based on that belief. My thanks to everyone, including Muthuraj Anna and Karthik Netha.”
“Arjun Chidambaram, you have performed brilliantly in this film.” “I feel that this industry has not yet fully tapped into the talent you possess; you are destined for even greater things. Harish, I have truly admired your acting as well. Through Patha, I felt as though I was seeing my own father on screen; I will remember you for a long time. Everyone has worked exceptionally hard on this film. Patha promises to be a fantastic entertainer—please go watch it in theaters. It will leave a lasting emotional impact on you. I believe that after watching it, you will find yourself asking, ‘When will Balaji Anna give us another film like this?'”
“Vijay Anna is the primary reason I have grown to this level and am standing on this stage today. Please don’t think I am repeating this unnecessarily. He is now the Chief Minister of Tamil Nadu and can no longer offer me another film. However, I cannot deny that he was instrumental in helping me reach my current position and in nurturing my career by consistently providing me with major opportunities. Misinformation and negative comments often circulate on social media, but we shouldn’t let them affect us. As Vijay Anna always says, we must ignore the negativity and keep moving steadily toward our goals. Life will eventually lead us to where we are meant to be.” “Therefore, we must focus on our journey without worrying about what others say,” he said.
Young music composer Sai Abhyankar has composed the music for this film. Lijomol Jose, who gained recognition through the movie Jai Bhim, plays the female lead. Selvakumar SK has handled the cinematography, while R. Kalaivanan has managed the editing. T. Muthuraj served as the production designer, and Ashwin Murugan is the co-producer.
Murad Khetani, Priya Atlee, Alok Jain, and Ajit Andhare have jointly produced the film Patha.
Patha, a film generating immense anticipation, is set to release in theaters worldwide on October 1st. The enthusiasm of the fans gathered at the music launch event, combined with the details shared by the film crew, further heightened the excitement surrounding the movie.
