Pre-release event for the film ‘Don’t Trouble The Trouble’ starring Fahadh Faasil
Presented by director S.S. Rajamouli, the film ‘Don’t Trouble The Trouble’—starring Fahadh Faasil and directed by Shashank Yeleti—is set for a worldwide theatrical release on October 2nd. It is produced by Shobu Yarlagadda and S.S. Karthikeya under the banners of Arka Media Works and Showing Business.
Distributor Sakthivelan of Sakthi Film Factory is handling the film’s release across Tamil Nadu.
An exclusive pre-release promotional event was held at a star hotel in Chennai. The event was attended by the film’s crew—including S.S. Rajamouli, S.S. Karthikeya, Fahadh Faasil, Sara Sachdeva, Praveen Antony, and distributor Sakthivelan—along with special guests actor Suriya and producer Isari K. Ganesh.
Speaking at the event, distributor Sakthivelan said:
“In Hollywood, if they wanted to showcase grandeur, they needed massive dinosaurs. But here, our director S.S. Rajamouli showcased grandeur to the entire world using a mere housefly.” “For us, ‘grandeur’ was always synonymous with Hollywood… until director S.S. Rajamouli changed that perception. ‘Don’t Trouble the Trouble’ bears his signature stamp. What more is there to say about a film like this?
I take great pride in the fact that our company has been entrusted with the responsibility of distributing this film across Tamil Nadu. I thank producer S.S. Karthikeya for this opportunity.
When the teaser was released, we learned that Fahadh Faasil was starring in a film presented by S.S. Rajamouli. Following the trailer’s release, there was a buzz from all quarters—everyone agreed that this is a film families should watch and enjoy together. That has brought us great happiness.
I mentioned to producer Karthikeya that while this film was released in 2D, it was truly a movie suited for 3D technology; I suggested that a 3D re-release would garner an even greater reception.
Director S.S. Rajamouli is an inspiration to the next generation. Fahadh Faasil also commands a massive fan base here. I am confident that the film will be a huge success, as families will also join the audience to watch it.”
Speaking on the occasion, producer S.S. Karthikeya said:
“I thank Suriya for attending as a special guest. This is the first film produced by our company. It is a sincere and delightful movie. Since it is presented by S.S. Rajamouli, I would say that—beyond its budget—it captures the kind of emotional depth found in his films. It will truly surprise you all.” “The emotional elements in the second half of the film will captivate you all. My thanks go to the entire crew, including director Shashank.
I am a huge fan of Fahadh Faasil. Baby Sara has created real magic in this film. The movie ‘Don’t Trouble the Trouble’ is releasing in theaters on October 2nd. I request everyone to come with their families, watch the film, enjoy it, and extend their support,” he said.
Speaking on the occasion, film editor Praveen Antony said:
“I first met this team while working on the trailer for the movie RRR. That was when I met S.S. Rajamouli and S.S. Karthikeya. I consider producer Karthikeya a brother. They placed immense trust in me right from that moment, which is why they entrusted me with the editing work for this film.
However, that trust didn’t mean they would simply approve everything I did. I lost count of how many versions we created for this film’s trailer. We might edit it one way and it would look good, but he would suggest changing the first part slightly. After making that change, the first part would be fine, but then he would suggest tweaking the second part. So, we would revise the second part as well. I mention this because he never takes anything lightly. Karthikeya is always clear about the kind of impact a trailer should create. That is something I learned from this team.
S.S. Rajamouli is just the same way. When working with him, you are often filled with a sense of awe—wondering if you are actually working alongside him.” While reading the screenplay for this film, I asked director Shashank how he intended to visualize the elements present in specific scenes. Generally, it is said that if even 60 percent of what is written in a screenplay is successfully translated into visuals, it is considered a huge success. However, as far as this film is concerned…
“They have executed and presented the film with 200% perfection; they have truly translated the screenplay into cinematic language with exceptional flair. The film stands out thanks to the combined vision of the director and cinematographer, along with Fahadh Faasil’s contribution.
When Fahadh Faasil and Sara appear on screen, it becomes clear that this is not just a children’s movie, but a film for everyone. It is the kind of movie that families can enjoy together in theaters during the quarterly exam holidays. They haven’t just dubbed it into Tamil; they have crafted it with meticulous attention to detail specifically for the Tamil audience. Thank you to everyone,” he said.
Speaking on the occasion, child artist Sara said:
“Abracadabra! Hello, Chennai. Thank you, Suriya sir. I play the character Divya in this film, and Soori is Divya’s best friend. We are inviting the audience into a magical fantasy world. The film is full of adventure. I thank the producer and director for giving me this opportunity. Please come to the theaters on Gandhi Jayanti to watch the movie and experience its magical world.”
Speaking on the occasion, Director S.S. Rajamouli said:
“A huge thank you to ‘Ulaganayagan’ Kamal Haasan for providing the voiceover for the film’s trailer. Congratulations and thanks to Suriya for delivering a ‘double dhamaka’ of success with Karuppu and Viswanath & Sons. After portraying a powerful police officer in Singam, we look forward to seeing you present yet another unique police character in Scene.” We are eagerly awaiting that film in November. I wish the movie great success.
An eminent architect once told me, “If you can sketch the outline of a building on a fingernail, that is the perfect building.” In my view, this applies to cinema as well. A two-and-a-half-hour film should be capable of being narrated in just two or three lines; that is what makes a great movie. I shared this very thought with the film’s director, Shashank.
When the director met me to narrate the story, he asked for three hours of my time. I told him I certainly couldn’t spare three hours and asked if he could pitch the story in five minutes. He asked how that was possible. I replied that if he could tell the story in five minutes—and if I liked it—then I would listen to the full two-and-a-half-hour version. He thought for a moment and said he didn’t even need five minutes; he could tell the story in a single sentence.
As soon as he said, “It is the story of a man who kidnapped a ghost,” I was instantly hooked. That single sentence made every aspect of the story flash through my mind; it was brilliant. That marked the beginning of the project.
Everyone knows Fahadh Faasil is an exceptional actor. He has portrayed distinct characters in films like Kumbalangi Nights, Joji, and Trance. It still amazes me how he selects and performs such roles. It is fascinating to see him consistently take on characters with dark shades. His performance in this film is also outstanding.
To reiterate, he is the ‘rascal’ of this film. He has delivered a magnificent performance in the role of Soori. “When I watched the first cut of this film—without dubbing or music—I both cried and laughed. The movie captivated me to that extent. Soori has breathed such incredible life into his character; I thank him for that.
In the film, the character played by Sara—Divya—relentlessly chases Soori’s character. She has delivered a magnificent performance. Although Soori might call her his ‘best friend’ on screen, on the set, they were like adversaries. There was a healthy rivalry to outdo one another in their performances. In every scene, dialogue, and nuance, Divya proved to be a worthy match for Soori. Audiences will certainly love this dynamic.
As Editor Praveen mentioned, this film is for everyone in the family, from granddaughters to grandmothers. It releases in theaters on October 2nd. I invite everyone to come with their families and experience the magic this film offers.
I also want to thank actor Balakrishna for providing the voiceover for the Telugu trailer, ‘Ulaganayagan’ Kamal Haasan for the Tamil voiceover, and actor Mohanlal for the Malayalam voiceover,” he said.
Speaking on the occasion, Producer Isari K. Ganesh said,
“Fahadh Faasil invited me to attend this event two days ago. [He had to leave to] complete the film he is currently working on…”
We have discussed this matter wholeheartedly, and I thank him for that.
We all tend to make calculations—thinking that a certain type of film might appeal to one group but not another, or that a particular style might be liked by the masses but disliked by a specific segment. We often crunch numbers like math teachers. Actors frequently get trapped within a specific image, but that isn’t the case with Fahadh Faasil. I still find myself making these miscalculations; I haven’t been able to be like him. He focuses solely on his character—asking only if the story is good and if his role within it is strong. Fahadh is someone who considers whether the content can be effectively conveyed to the audience. That is why he is able to choose and portray such unique characters. I thank him once again for that.
He has dubbed for his character himself in every language. While the rest of us might merely think about embodying a character, Fahadh truly becomes that character.
Whenever a child is involved in a film, they transform the world of the movie into something authentic. In this regard, the child artist Sara has performed wonderfully; everyone is appreciating her acting.
There is no need to agonize over how to deliver a line—wondering if it should be pronounced this way or that. In this film, your dialogue delivery is beautiful and natural. A director might envision a story like this, but if a child artist is involved, the director needs to possess a childlike mindset to handle them effectively.
The movies I watched during my childhood remain fresh in my memory to this day. We no longer produce films specifically for children aged six or eight; instead, we rely on content created by Netflix, Amazon, and Disney for that demographic. We need to come together to create films that children can enjoy. In that sense, this film is a “children’s movie for adults”—it encompasses the full spectrum of emotions.
I want to thank Rajamouli, who is marking his 25th year as a film director. I believe it has been about 28 or 29 years since I entered the film industry myself. I would be grateful for the opportunity to play even a brief cameo—just a single day or a minute—in one of your films.
Thank you for consistently supporting new talent and fresh content, and for leaving your unique mark on them. Your remark that the story of this film is unique has instilled immense confidence in the entire crew.
Thank you for introducing Indian cinema to the world through your work; you have given all of us an identity and ensured that your films are recognized globally as Indian cinema.
You possess the talent and confidence to engage every fan by promising, “I have a story to tell; I will keep you captivated, and I won’t waste your time.” I am confident that the audience will experience this same quality in this film, which is precisely why there is such great anticipation to watch it.
You believed that unique content could triumph amidst the release of conventional films, and you have indeed made a significant impact on the industry. You have also redefined the norms regarding the commercial potential of a film—shifting the benchmarks for what a movie can achieve in the market. “Similarly, actors often face limitations regarding the kind of roles they can play; you have broken out of that comfort zone. In that sense, too, you have made an impact on actors.
Therefore, I urge people of all ages to watch the movie ‘Don’t Trouble the Trouble’ with their families on October 2nd,” he said.
