This is precisely what the film Manithan Deivamagalam addressed. What could journalists—who sit within the four walls of a city and write reviews while staring at a screen—possibly know about the true pain of rural life? For those few critics who fancy themselves “progressive,” the voices of these young girls serve as irrefutable proof that, even today, many parts of Tamil Nadu remain in this very state.
The lives of the common people depicted in Manithan Deivamagalam stand as a prime example of this reality. 🔥
The human being who stands up for the people shall indeed become a Deity.
